The Anatomy of a Knife – Everything You Need to Know about Parts of a Japanese Knife
Press play to listen to this content. [Use the globe icon to change language - It may take a few seconds for the audio to load after selection.]
0:00
-:--
1x
Playback Speed
0.5
0.6
0.7
0.8
0.9
1
1.1
1.2
1.3
1.5
2
Audio Language
Chinese
Chinese
Danish
Dutch
English
Finnish
French
Hindi
Italian
Japanese
Korean
Polish
Portuguese
Spanish
Swedish
Tamil
Download audioDownloaded:0
what makes a knife a knife? there's more to it than just a blade and handle. every surface, edge, and curve has a name and purpose. understanding the thought put into the design of your most important kitchen tool will help you use it more effectively and also help you appreciate the elegance of its artisanship. knowing your knife. from tail to tip, i will take you through the different sections that make up a knife - both japanese and western styles. by the end of this article, you will better understand 'knife anatomy' and how certain parts can be used to your advantage when cooking. i guarantee you won't be able to look at a knife the same way again! the parts of a japanese knife. as promised, we'll begin from the end of the knife (that is to say, the bottom of the handle) and work our way to the point of the tip. below is an illustration of two japanese knives with japanese-style wa handles. further down is a western-style knife that can be ignored for now but is there for comparison. just note that a few of these features are only found on single-bevel japanese knives , not double-bevel knives. the handle end (ejiri). you rarely touch this part of the knife, even when fully gripping the handle. it is, of course, a necessity of design that the handle has an end to it. typically it is completely flat on a wa handle, and unless you're particularly creative, it shouldn't be used to do anything. handle (e). the handle is part of the knife you physically interact with the most. it comes in many different shapes, but the most basic kind of wa handle shape is that of a smooth oval. the shape of the handle can dramatically change the comfort and cutting accuracy of a knife, but each person is different and may prefer a different style. check out our article on magnolia wood handles if you want in-depth knowledge of different handle styles. tang (nakago). nestled inside the handle is something called the nakago or, in english, a tang. all knives have these, but in japanese knives, they are hidden. the tang is the lower piece of the blade that the handle is attached to. in this case, it is a half-tang (meaning it doesn't go to the bottom of the handle but only to about the middle). collar (tsunomaki/kakumaki/kuchiwa). we have an entire article dedicated to just this intricate piece of japanese knife design. it has many names, but the correct one is tsunomaki. this polished piece of the handle protects the skin on the fingers from irritation during prolonged kitchen work. and as a bonus, it looks very nice! ours are made from either buffalo horn or plastic. machi. not every japanese knife has a machi. it is a small gap between the neck of the knife and the handle. it's there so that the handle can be adjusted for size. for example, one could gently hammer the handle on the end to push it farther up the machi, bringing the handle closer to the blade. it's best to get a professional to do this for you. it's a neat feature, but you don't need to use it if the knife feels comfortable as it is. neck (emoto). the emoto provides a bit of distance between the handle and the actual cutting part of the blade. your forefinger might sit comfortably in this area, depending on how you like to hold your knife. it makes the knife more maneuverable and gives some breathing space so that vegetables don't slide up the blade and hit your fingers as frequently. heel (ago). the ago, meaning 'chin,' is the flat piece of the blade that leads down to the point of the heel. sometimes this piece of the blade is at a perfect 90-degree angle; other times, it may have a slight slant. in either case. hamoto. also a part of the heel, the hamoto refers to the heel from the point of the heel until about the mid-point of the blade. from the ago to the hamoto is where you should begin draw-cuts and do any rough chopping. it's also handy for fine cutting when the knife tip doesn't offer enough control. spine (se/mune). the se or mune is the 'spine' that faces you as you use the knife. it is not necessarily used for anything; however, it can give you an indication of whether or not you're using a hand-made knife. hand-made knives have spines that become slender as they draw nearer to the tip. this feature is an indication that it has been hammered into shape. a machine-made knife typically has one thickness all the way down the spine, as it is cut from a sheet of steel and sharpened. ‘blade road’ (kireha). found only on single-bevel japanese knives, a kireha or ‘blade road’ is used to describe the beveled side of the blade where it begins to slope down to the cutting edge. learn more about single and double-bevel knives here. flat (hira/tsura). above the kireha lies the hira or tsura, which is the upper half of the beveled side of the blade. rather than being angled, the hira is entirely flat. the combination of the two varied surfaces aids with preventing food from sticking to the side of the blade. it's also there for an aesthetically pleasing contrast. edge (hasaki). the total length of the cutting edge is called the hasaki. the hasaki includes from the point of the ago to the edge of the hamoto and all the way to the kissaki (the tip). of course, this is where all the cutting happens! shinogi. another term exclusive to japanese knives. shinogi is the line between the kireha and hira. it helps the blade to glide smoothly through food. belly/curve(sori). the sori is simply the curve of the blade. however, unlike western knives, not every japanese knife has a sori. for example, the nakiri has a very nearly wholly straight edge. knives that have a sori are perfect for rock-chopping and draw-cuts. tip/point (kissaki). finally, the tip of the blade, the kissaki. it is used for precision knife work - think slicing onions before you dice them, or trimming fat off meat. it is an essential part of a knife and also the most delicate part. everyone is bound to accidentally chip the kissaki off a knife at some point! to avoid this, always keep your knife away from the edge of your kitchen bench, as this damage usually occurs when a knife is knocked onto the ground. again, the nakiri is an exception, sometimes featuring a rounded tip. temper line (hamon). one unique feature, mostly found on honyaki steel knives, is the hamon. it's a blurred 'misty' looking line where clay was used to separate the top piece of the blade from the cutting edge before quenching. this process makes the edge hard but leaves the spine softer to support the harder (but more brittle) cutting edge. the parts of a western-style knife. some parts of a western knife are similar to that of japanese knives. so, i won't bore you by going over the features that are the same. instead, you'll find descriptions of a few significant differences below. butt. some western-style knives feature a metal extension from the end of the handle - or a rounded-off shape that ever-so-slightly hooks under the pinky finger when held. this piece is the butt of the knife. it is slightly more functional than the flat ejiri on japanese handles, aiding with full-handed grips. metal butts or handle caps are aesthetic pieces of decoration. rivets. metal rivets are how the handle is secured to the blade's tang. in this case, it is a full tang that goes all the way to the butt of the knife, so two to three rivets are required. the rivets and extended tang give the knife a sturdy, heavy handle that balances the center of mass to the middle of the knife. bolster. the bolster is a smooth metal portion of the handle that leads to the blade. it increases comfort like a tsunomaki and indicates the knife's center of mass. it's another good indication that the knife has been forged and hammered rather than just cut from a metal sheet. the bolster can either run up the neck of the knife or partly continue a few millimeters up the heel of the blade, resulting in a rounded lower point. conclusion. that covers all the significant features of japanese and western knives - however, there's one aspect i didn't touch on in this article, and it has to do with knife bevels. but don't worry, i've got you covered; head to our article about knife bevels for your next anatomy lesson!
What makes a knife a knife? There's more to it than just a blade and handle. Every surface, edge, and curve has a name and purpose. Understanding the thought put into the design of your most important kitchen tool will help you use it more effectively and also help you appreciate the elegance of its artisanship.
Knowing Your Knife
From tail to tip, I will take you through the different sections that make up a knife - both Japanese and Western styles. By the end of this article, you will better understand 'knife anatomy' and how certain parts can be used to your advantage when cooking. I guarantee you won't be able to look at a knife the same way again!
The Parts of a Japanese Knife
As promised, we'll begin from the end of the knife (that is to say, the bottom of the handle) and work our way to the point of the tip. Below is an illustration of two Japanese knives with Japanese-style wa handles. Further down is a Western-style knife that can be ignored for now but is there for comparison. Just note that a few of these features are only found on single-bevel Japanese knives, not double-bevel knives.
The Handle End (Ejiri)
You rarely touch this part of the knife, even when fully gripping the handle. It is, of course, a necessity of design that the handle has an end to it. Typically it is completely flat on a wa handle, and unless you're particularly creative, it shouldn't be used to do anything.
Handle (E)
The handle is part of the knife you physically interact with the most. It comes in many different shapes, but the most basic kind of wa handle shape is that of a smooth oval. The shape of the handle can dramatically change the comfort and cutting accuracy of a knife, but each person is different and may prefer a different style. Check out our article on magnolia wood handles if you want in-depth knowledge of different handle styles.
Tang (Nakago)
Nestled inside the handle is something called the nakago or, in English, a tang. All knives have these, but in Japanese knives, they are hidden. The tang is the lower piece of the blade that the handle is attached to. In this case, it is a half-tang (meaning it doesn't go to the bottom of the handle but only to about the middle).
Collar (Tsunomaki/Kakumaki/Kuchiwa)
We have an entire article dedicated to just this intricate piece of Japanese knife design. It has many names, but the correct one is tsunomaki. This polished piece of the handle protects the skin on the fingers from irritation during prolonged kitchen work. And as a bonus, it looks very nice! Ours are made from either buffalo horn or plastic.
Machi
Not every Japanese knife has a machi. It is a small gap between the neck of the knife and the handle. It's there so that the handle can be adjusted for size. For example, one could gently hammer the handle on the end to push it farther up the machi, bringing the handle closer to the blade. It's best to get a professional to do this for you. It's a neat feature, but you don't need to use it if the knife feels comfortable as it is.
Neck (Emoto)
The emoto provides a bit of distance between the handle and the actual cutting part of the blade. Your forefinger might sit comfortably in this area, depending on how you like to hold your knife. It makes the knife more maneuverable and gives some breathing space so that vegetables don't slide up the blade and hit your fingers as frequently.
Heel (Ago)
The ago, meaning 'chin,' is the flat piece of the blade that leads down to the point of the heel. Sometimes this piece of the blade is at a perfect 90-degree angle; other times, it may have a slight slant. In either case
Hamoto
Also a part of the heel, the hamoto refers to the heel from the point of the heel until about the mid-point of the blade. From the ago to the hamoto is where you should begin draw-cuts and do any rough chopping. It's also handy for fine cutting when the knife tip doesn't offer enough control.
Spine (Se/Mune)
The se or mune is the 'spine' that faces you as you use the knife. It is not necessarily used for anything; however, it can give you an indication of whether or not you're using a hand-made knife. Hand-made knives have spines that become slender as they draw nearer to the tip. This feature is an indication that it has been hammered into shape. A machine-made knife typically has one thickness all the way down the spine, as it is cut from a sheet of steel and sharpened.
‘Blade Road’ (Kireha)
Found only on single-bevel Japanese knives, a kireha or ‘blade road’ is used to describe the beveled side of the blade where it begins to slope down to the cutting edge. Learn more about single and double-bevel knives here.
Flat (Hira/Tsura)
Above the kireha lies the hira or tsura, which is the upper half of the beveled side of the blade. Rather than being angled, the hira is entirely flat. The combination of the two varied surfaces aids with preventing food from sticking to the side of the blade. It's also there for an aesthetically pleasing contrast.
Edge (Hasaki)
The total length of the cutting edge is called the hasaki. The hasaki includes from the point of the ago to the edge of the hamoto and all the way to the kissaki (the tip). Of course, this is where all the cutting happens!
Shinogi
Another term exclusive to Japanese knives. Shinogi is the line between the kireha and hira. It helps the blade to glide smoothly through food.
Belly/Curve(Sori)
The sori is simply the curve of the blade. However, unlike Western knives, not every Japanese knife has a sori. For example, the nakiri has a very nearly wholly straight edge. Knives that have a sori are perfect for rock-chopping and draw-cuts.
Tip/Point (Kissaki)
Finally, the tip of the blade, the kissaki. It is used for precision knife work - think slicing onions before you dice them, or trimming fat off meat. It is an essential part of a knife and also the most delicate part. Everyone is bound to accidentally chip the kissaki off a knife at some point! To avoid this, always keep your knife away from the edge of your kitchen bench, as this damage usually occurs when a knife is knocked onto the ground. Again, the nakiri is an exception, sometimes featuring a rounded tip.
Temper Line (Hamon)
One unique feature, mostly found on honyaki steel knives, is the hamon. It's a blurred 'misty' looking line where clay was used to separate the top piece of the blade from the cutting edge before quenching. This process makes the edge hard but leaves the spine softer to support the harder (but more brittle) cutting edge.
The Parts of a Western-Style Knife
Some parts of a Western knife are similar to that of Japanese knives. So, I won't bore you by going over the features that are the same. Instead, you'll find descriptions of a few significant differences below.
Butt
Some Western-style knives feature a metal extension from the end of the handle - or a rounded-off shape that ever-so-slightly hooks under the pinky finger when held. This piece is the butt of the knife. It is slightly more functional than the flat ejiri on Japanese handles, aiding with full-handed grips. Metal butts or handle caps are aesthetic pieces of decoration.
Rivets
Metal rivets are how the handle is secured to the blade's tang. In this case, it is a full tang that goes all the way to the butt of the knife, so two to three rivets are required. The rivets and extended tang give the knife a sturdy, heavy handle that balances the center of mass to the middle of the knife.
Bolster
The bolster is a smooth metal portion of the handle that leads to the blade. It increases comfort like a tsunomaki and indicates the knife's center of mass. It's another good indication that the knife has been forged and hammered rather than just cut from a metal sheet. The bolster can either run up the neck of the knife or partly continue a few millimeters up the heel of the blade, resulting in a rounded lower point.
Conclusion
That covers all the significant features of Japanese and Western knives - however, there's one aspect I didn't touch on in this article, and it has to do with knife bevels. But don't worry, I've got you covered; Head to our article about knife bevels for your next anatomy lesson!
Get Free Bonus Books
Sign up for free to the
Japanese Knife Club
to get advice and exclusive articles about how to choose Japanese Knives, and tips and tricks for using Japanese
knives.
Confused? We made graphs to let you know where all the blade material lives in terms of all the materials used for most Japanese knives in the market today.
I hope the above graph helps you understand what you are picking. (Our product materials are in blue letters.)
Below is another graph showing differences and price and hardness of each material.
And here are the detail of each materials.
Stainless Steel Options
Popular options as they do not require heavy maintenance like non-stainless steel options.
CM Stainless (CM合金鋼製)
The Most Popular Material
The material of choice for professional chefs. It’s rust-resistant, and in turn easy to maintain. It is made of high-carbon steel with chromium molybdenum. Which is equal in sharpness, sharpening properties, and hardness to carbon steel knives. This material is used for both CM options - the Japanese Style magnolia wood handle and the western style handle.
Super French (スーパーフレンチ)
The More Economical Choice, That Is Still Equally Sharp. Super French knives are made using carefully selected alloy steel that creates a more affordable price. Making it ideal for at-home cooking enthusiasts and beginners alike. It is equal in sharpness, sharpening properties, polishability, and hardness to carbon steel knives. Plus it is also rust-resistant. The notch in the lower part of the handle creates ease of use. While it isn’t super sharp or hard like the other types, it can do most jobs just as well.
Non-Stainless Steel (Rusts and require high maintenance)
These knives require high maintenance and will rust very easily. They are only used by limited chefs in Japan.
HM Carbon Steel (HM炭素鋼製)
The Hardest & Sharpest Knife in Japan.
The knife of choice for top-tier chefs around the world. In fact, it’s the hardest and sharpest knife in Japan - perhaps even the world. However, it also requires the most upkeep as it easily rusts. It’s handmade with the same technique as samurai swords. Using specially selected blade steel, of pure iron + carbon. The key advantage is that it holds its sharpness extremely well. Then it’s forged with traditional bladesmith techniques passed down for generations. It truly is a legacy knife!
Kasumi Superlative Carbon Steel (本霞製最上級品)
Kasumi Superlative Knives are made by joining a piece of soft iron with a piece of carbon steel. The soft iron portion protects the hardened steel that tends to fracture. This reduces brittleness and makes sharpening easier.
Honyaki (本焼)
Honyaki knives are made of steel strengthened by quenching. Since quenching the entire steel blade makes the blade brittle and makes aligning its curve difficult, the blade is quenched only from the cutting edge to about the blade's half-point. The high price of Honyaki products is because their production is extremely labor-intensive.
How to choose the size of my knife
Measure the length of your hand from the wrist line to the top of your longest finger.
Then, round the number up to the nearest knife size. For instance, if your hand has a length of 17cm (170mm or 6.7 inches), you can comfortably use a knife with a blade length of 180mm (7.1 inches).
It's not an exact science, but it gives you a good idea of whether or not a knife will suit you.
Here is a chart of what sizes of knives are available based on the blade length.
Add-ons Available for Your Knife
Magnolia Wooden Handle and Knife Collar Options
Magnolia Wooden Handle
Smooth, Comfortable, and Natural Feel
There are many reasons that home cooks and chefs choose to use a magnolia handle. The foremost is that they're incredibly comfortable and feel perfect in hand. The importance of this can't be understated - a knife that's easier to hold is easier to cut with.
High-quality, solid wood.
Smooth, easy hold that feels good.
Great color - water and fade resistance.
Why Magnolia Wood?
Magnolias are beautiful, large flowering trees that have sweet, floral fragrances. The wood of the Magnolia tree is beloved by Japanese artisans for a number of reasons. Such as its easy workability, strength, and lightness. It is also highly water-resistant, has a lovely bright color, and is reasonably priced. These qualities have made it a popular material choice for a variety of objects, including chopping boards, sheaths, furniture, and knife handles.
The Benefits Of Magnolia Wood For Knives
Magnolia handles are the most popular in Japan. The bright-colored wood adds a beautiful natural look and comfortable feel. The wood itself is lightweight and soft, yet tough. It provides a textured grip that helps prevent slipping while cutting. It’s a great choice for knives as it is water-resistant and doesn’t contain any resins that might cause corrosion in carbon steel.
For Left Handed knives, we will situate the D-shape in the opposite way than right-handed knives.
Knife Collar Options
Plastic Collar (Default Option - No cost)
Vegan Friendly & Economical For those concerned about using animal products - we offer a plastic alternative. It’s just as reliable, waterproof, and durable. It is also the standard, free option.
Vegan friendly.
Waterproof & durable.
Helps protect your fingers.
The cheaper option.
Molded Buffalo Horns
For an additional $100
Buffalo horn is a waterproof, durable, and natural material pleasing to the eye. It feels especially nice when held. This material is a traditional choice and gives knife handles a classic Japanese look. It also makes the knife 100% natural origin.
There are many reasons that home cooks and chefs choose to use a magnolia handle. The foremost is that they're incredibly comfortable and feel perfect in hand. The importance of this can't be understated - a knife that's easier to hold is easier to cut with.
High-quality, solid wood.
Smooth, easy hold that feels good.
Great color - water and fade resistance.
Why Magnolia Wood?
Magnolias are beautiful, large flowering trees that have sweet, floral fragrances. The wood of the Magnolia tree is beloved by Japanese artisans for a number of reasons. Such as its easy workability, strength, and lightness. It is also highly water-resistant, has a lovely bright color, and is reasonably priced. These qualities have made it a popular material choice for a variety of objects, including chopping boards, sheaths, furniture, and knife handles.
The Benefits Of Magnolia Wood For Knives
Magnolia handles are the most popular in Japan. The bright-colored wood adds a beautiful natural look and comfortable feel. The wood itself is lightweight and soft, yet tough. It provides a textured grip that helps prevent slipping while cutting. It’s a great choice for knives as it is water-resistant and doesn’t contain any resins that might cause corrosion in carbon steel.
For Left Handed knives, we will situate the D-shape in the opposite way than right-handed knives.
About Hamaguri-ba (Clam Blade) 蛤刃
Press play to listen to this content. [Use the globe icon to change language - It may take a few seconds for the audio to load after selection.]
what makes a knife a knife? there's more to it than just a blade and handle. every surface, edge, and curve has a name and purpose. understanding the thought put into the design of your most important kitchen tool will help you use it more effectively and also help you appreciate the elegance of its artisanship. knowing your knife. from tail to tip, i will take you through the different sections that make up a knife - both japanese and western styles. by the end of this article, you will better understand 'knife anatomy' and how certain parts can be used to your advantage when cooking. i guarantee you won't be able to look at a knife the same way again! the parts of a japanese knife. as promised, we'll begin from the end of the knife (that is to say, the bottom of the handle) and work our way to the point of the tip. below is an illustration of two japanese knives with japanese-style wa handles. further down is a western-style knife that can be ignored for now but is there for comparison. just note that a few of these features are only found on single-bevel japanese knives , not double-bevel knives. the handle end (ejiri). you rarely touch this part of the knife, even when fully gripping the handle. it is, of course, a necessity of design that the handle has an end to it. typically it is completely flat on a wa handle, and unless you're particularly creative, it shouldn't be used to do anything. handle (e). the handle is part of the knife you physically interact with the most. it comes in many different shapes, but the most basic kind of wa handle shape is that of a smooth oval. the shape of the handle can dramatically change the comfort and cutting accuracy of a knife, but each person is different and may prefer a different style. check out our article on magnolia wood handles if you want in-depth knowledge of different handle styles. tang (nakago). nestled inside the handle is something called the nakago or, in english, a tang. all knives have these, but in japanese knives, they are hidden. the tang is the lower piece of the blade that the handle is attached to. in this case, it is a half-tang (meaning it doesn't go to the bottom of the handle but only to about the middle). collar (tsunomaki/kakumaki/kuchiwa). we have an entire article dedicated to just this intricate piece of japanese knife design. it has many names, but the correct one is tsunomaki. this polished piece of the handle protects the skin on the fingers from irritation during prolonged kitchen work. and as a bonus, it looks very nice! ours are made from either buffalo horn or plastic. machi. not every japanese knife has a machi. it is a small gap between the neck of the knife and the handle. it's there so that the handle can be adjusted for size. for example, one could gently hammer the handle on the end to push it farther up the machi, bringing the handle closer to the blade. it's best to get a professional to do this for you. it's a neat feature, but you don't need to use it if the knife feels comfortable as it is. neck (emoto). the emoto provides a bit of distance between the handle and the actual cutting part of the blade. your forefinger might sit comfortably in this area, depending on how you like to hold your knife. it makes the knife more maneuverable and gives some breathing space so that vegetables don't slide up the blade and hit your fingers as frequently. heel (ago). the ago, meaning 'chin,' is the flat piece of the blade that leads down to the point of the heel. sometimes this piece of the blade is at a perfect 90-degree angle; other times, it may have a slight slant. in either case. hamoto. also a part of the heel, the hamoto refers to the heel from the point of the heel until about the mid-point of the blade. from the ago to the hamoto is where you should begin draw-cuts and do any rough chopping. it's also handy for fine cutting when the knife tip doesn't offer enough control. spine (se/mune). the se or mune is the 'spine' that faces you as you use the knife. it is not necessarily used for anything; however, it can give you an indication of whether or not you're using a hand-made knife. hand-made knives have spines that become slender as they draw nearer to the tip. this feature is an indication that it has been hammered into shape. a machine-made knife typically has one thickness all the way down the spine, as it is cut from a sheet of steel and sharpened. ‘blade road’ (kireha). found only on single-bevel japanese knives, a kireha or ‘blade road’ is used to describe the beveled side of the blade where it begins to slope down to the cutting edge. learn more about single and double-bevel knives here. flat (hira/tsura). above the kireha lies the hira or tsura, which is the upper half of the beveled side of the blade. rather than being angled, the hira is entirely flat. the combination of the two varied surfaces aids with preventing food from sticking to the side of the blade. it's also there for an aesthetically pleasing contrast. edge (hasaki). the total length of the cutting edge is called the hasaki. the hasaki includes from the point of the ago to the edge of the hamoto and all the way to the kissaki (the tip). of course, this is where all the cutting happens! shinogi. another term exclusive to japanese knives. shinogi is the line between the kireha and hira. it helps the blade to glide smoothly through food. belly/curve(sori). the sori is simply the curve of the blade. however, unlike western knives, not every japanese knife has a sori. for example, the nakiri has a very nearly wholly straight edge. knives that have a sori are perfect for rock-chopping and draw-cuts. tip/point (kissaki). finally, the tip of the blade, the kissaki. it is used for precision knife work - think slicing onions before you dice them, or trimming fat off meat. it is an essential part of a knife and also the most delicate part. everyone is bound to accidentally chip the kissaki off a knife at some point! to avoid this, always keep your knife away from the edge of your kitchen bench, as this damage usually occurs when a knife is knocked onto the ground. again, the nakiri is an exception, sometimes featuring a rounded tip. temper line (hamon). one unique feature, mostly found on honyaki steel knives, is the hamon. it's a blurred 'misty' looking line where clay was used to separate the top piece of the blade from the cutting edge before quenching. this process makes the edge hard but leaves the spine softer to support the harder (but more brittle) cutting edge. the parts of a western-style knife. some parts of a western knife are similar to that of japanese knives. so, i won't bore you by going over the features that are the same. instead, you'll find descriptions of a few significant differences below. butt. some western-style knives feature a metal extension from the end of the handle - or a rounded-off shape that ever-so-slightly hooks under the pinky finger when held. this piece is the butt of the knife. it is slightly more functional than the flat ejiri on japanese handles, aiding with full-handed grips. metal butts or handle caps are aesthetic pieces of decoration. rivets. metal rivets are how the handle is secured to the blade's tang. in this case, it is a full tang that goes all the way to the butt of the knife, so two to three rivets are required. the rivets and extended tang give the knife a sturdy, heavy handle that balances the center of mass to the middle of the knife. bolster. the bolster is a smooth metal portion of the handle that leads to the blade. it increases comfort like a tsunomaki and indicates the knife's center of mass. it's another good indication that the knife has been forged and hammered rather than just cut from a metal sheet. the bolster can either run up the neck of the knife or partly continue a few millimeters up the heel of the blade, resulting in a rounded lower point. conclusion. that covers all the significant features of japanese and western knives - however, there's one aspect i didn't touch on in this article, and it has to do with knife bevels. but don't worry, i've got you covered; head to our article about knife bevels for your next anatomy lesson!