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The Anatomy of a Knife – Everything You Need to Know about Parts of a Japanese Knife

What makes a knife a knife? There's more to it than just a blade and handle. Every surface, edge, and curve has a name and purpose. Understanding the thought put into the design of your most important kitchen tool will help you use it more effectively and also help you appreciate the elegance of its artisanship.

Knowing Your Knife

From tail to tip, I will take you through the different sections that make up a knife - both Japanese and Western styles. By the end of this article, you will better understand 'knife anatomy' and how certain parts can be used to your advantage when cooking. I guarantee you won't be able to look at a knife the same way again!

The Parts of a Japanese Knife

As promised, we'll begin from the end of the knife (that is to say, the bottom of the handle) and work our way to the point of the tip. Below is an illustration of two Japanese knives with Japanese-style wa handles. Further down is a Western-style knife that can be ignored for now but is there for comparison. Just note that a few of these features are only found on single-bevel Japanese knives, not double-bevel knives.

The Parts of a Japanese Knife

The Handle End (Ejiri)

You rarely touch this part of the knife, even when fully gripping the handle. It is, of course, a necessity of design that the handle has an end to it. Typically it is completely flat on a wa handle, and unless you're particularly creative, it shouldn't be used to do anything.

Handle (E)

The handle is part of the knife you physically interact with the most. It comes in many different shapes, but the most basic kind of wa handle shape is that of a smooth oval. The shape of the handle can dramatically change the comfort and cutting accuracy of a knife, but each person is different and may prefer a different style. Check out our article on magnolia wood handles if you want in-depth knowledge of different handle styles.

Tang (Nakago)

Nestled inside the handle is something called the nakago or, in English, a tang. All knives have these, but in Japanese knives, they are hidden. The tang is the lower piece of the blade that the handle is attached to. In this case, it is a half-tang (meaning it doesn't go to the bottom of the handle but only to about the middle).

Collar (Tsunomaki/Kakumaki/Kuchiwa)

We have an entire article dedicated to just this intricate piece of Japanese knife design. It has many names, but the correct one is tsunomaki. This polished piece of the handle protects the skin on the fingers from irritation during prolonged kitchen work. And as a bonus, it looks very nice! Ours are made from either buffalo horn or plastic.

Machi

Not every Japanese knife has a machi. It is a small gap between the neck of the knife and the handle. It's there so that the handle can be adjusted for size. For example, one could gently hammer the handle on the end to push it farther up the machi, bringing the handle closer to the blade. It's best to get a professional to do this for you. It's a neat feature, but you don't need to use it if the knife feels comfortable as it is.

Neck (Emoto)

The emoto provides a bit of distance between the handle and the actual cutting part of the blade. Your forefinger might sit comfortably in this area, depending on how you like to hold your knife. It makes the knife more maneuverable and gives some breathing space so that vegetables don't slide up the blade and hit your fingers as frequently.

Anatomy of a knife

Heel (Ago)

The ago, meaning 'chin,' is the flat piece of the blade that leads down to the point of the heel. Sometimes this piece of the blade is at a perfect 90-degree angle; other times, it may have a slight slant. In either case

Hamoto

Also a part of the heel, the hamoto refers to the heel from the point of the heel until about the mid-point of the blade. From the ago to the hamoto is where you should begin draw-cuts and do any rough chopping. It's also handy for fine cutting when the knife tip doesn't offer enough control.

Spine (Se/Mune)

The se or mune is the 'spine' that faces you as you use the knife. It is not necessarily used for anything; however, it can give you an indication of whether or not you're using a hand-made knife. Hand-made knives have spines that become slender as they draw nearer to the tip. This feature is an indication that it has been hammered into shape. A machine-made knife typically has one thickness all the way down the spine, as it is cut from a sheet of steel and sharpened.

‘Blade Road’ (Kireha)

Found only on single-bevel Japanese knives, a kireha or ‘blade road’ is used to describe the beveled side of the blade where it begins to slope down to the cutting edge. Learn more about single and double-bevel knives here.

Flat (Hira/Tsura)

Above the kireha lies the hira or tsura, which is the upper half of the beveled side of the blade. Rather than being angled, the hira is entirely flat. The combination of the two varied surfaces aids with preventing food from sticking to the side of the blade. It's also there for an aesthetically pleasing contrast.

Edge (Hasaki)

The total length of the cutting edge is called the hasaki. The hasaki includes from the point of the ago to the edge of the hamoto and all the way to the kissaki (the tip). Of course, this is where all the cutting happens!

Shinogi

Another term exclusive to Japanese knives. Shinogi is the line between the kireha and hira. It helps the blade to glide smoothly through food.

Belly/Curve(Sori)

The sori is simply the curve of the blade. However, unlike Western knives, not every Japanese knife has a sori. For example, the nakiri has a very nearly wholly straight edge. Knives that have a sori are perfect for rock-chopping and draw-cuts.

Tip/Point (Kissaki)

Finally, the tip of the blade, the kissaki. It is used for precision knife work - think slicing onions before you dice them, or trimming fat off meat. It is an essential part of a knife and also the most delicate part. Everyone is bound to accidentally chip the kissaki off a knife at some point! To avoid this, always keep your knife away from the edge of your kitchen bench, as this damage usually occurs when a knife is knocked onto the ground. Again, the nakiri is an exception, sometimes featuring a rounded tip.

Temper Line (Hamon)

One unique feature, mostly found on honyaki steel knives, is the hamon. It's a blurred 'misty' looking line where clay was used to separate the top piece of the blade from the cutting edge before quenching. This process makes the edge hard but leaves the spine softer to support the harder (but more brittle) cutting edge.

The Parts of a Western-Style Knife

Some parts of a Western knife are similar to that of Japanese knives. So, I won't bore you by going over the features that are the same. Instead, you'll find descriptions of a few significant differences below.

The Parts of a Western-Style Knife

Butt

Some Western-style knives feature a metal extension from the end of the handle - or a rounded-off shape that ever-so-slightly hooks under the pinky finger when held. This piece is the butt of the knife. It is slightly more functional than the flat ejiri on Japanese handles, aiding with full-handed grips. Metal butts or handle caps are aesthetic pieces of decoration.

Rivets

Metal rivets are how the handle is secured to the blade's tang. In this case, it is a full tang that goes all the way to the butt of the knife, so two to three rivets are required. The rivets and extended tang give the knife a sturdy, heavy handle that balances the center of mass to the middle of the knife.

Bolster

The bolster is a smooth metal portion of the handle that leads to the blade. It increases comfort like a tsunomaki and indicates the knife's center of mass. It's another good indication that the knife has been forged and hammered rather than just cut from a metal sheet. The bolster can either run up the neck of the knife or partly continue a few millimeters up the heel of the blade, resulting in a rounded lower point.

Conclusion

That covers all the significant features of Japanese and Western knives - however, there's one aspect I didn't touch on in this article, and it has to do with knife bevels. But don't worry, I've got you covered; Head to our article about knife bevels for your next anatomy lesson!

The Anatomy of a Knife – Everything You Need to Know about Parts of a Japanese Knife — Frequently Asked Questions

What is the "tang" of a knife and why does it matter?

The tang is the part of the blade steel that extends back into the handle. On a wa (Japanese) handle, the tang is a thin spike heated and pressure-fit into a hole in the wood — this is called a hidden tang. On a yo (Western) handle, the tang is wider and runs the full length of the handle, with two scales of wood or composite riveted to it — a full tang. Why it matters: a full tang is heavier and more durable to lateral stress, so yo handles tolerate twisting and prying better. A hidden tang is lighter and produces a blade-forward balance, which is part of what makes wa-handle knives feel nimble.

What's the difference between the spine and the heel of a blade?

The spine is the top of the blade, opposite the cutting edge — usually rounded slightly so it's comfortable to rest a finger on for fine control. The heel is the back corner of the cutting edge, where the blade meets the handle. The heel is the part you use for hard chopping (it's the strongest part of the edge), while the tip is for fine work. Knowing which part of the blade to use for which job is half of good knife technique. A skilled cook chops with the heel, slices with the middle, and details with the tip without consciously thinking about it.

What is the "kasumi" finish on a Japanese blade?

Kasumi (霞, "mist") is a finish you see on traditional Japanese knives — the cladding looks soft and matte, with a misty contrast against the polished hard core steel underneath. The look is achieved by a final hand-polish on natural stones that polishes the hard core to a mirror finish while leaving the softer cladding with a slightly textured surface. The visual effect is the cladding acts like a misty cloud around the polished cutting edge. It's purely cosmetic — performance-wise the knife works the same as a fully polished one — but it's a hallmark of high-end traditional construction.

Everything You Need to Know about Japanese Knife Materials
Everything You Need to Know about Japanese Knife Materials

What's the bolster on a Western knife, and do Japanese knives have one?

A bolster is the thick collar of metal between the blade and the handle on a Western (yo) handle knife. It adds weight (shifting balance toward the handle), protects the index finger from sliding onto the edge, and gives the knife structural strength at the connection point. Most Japanese yo-handle knives have either a partial bolster (just at the heel) or no bolster at all — the lighter blade-forward balance is part of why Japanese knives feel different. Wa-handle knives don't have a bolster; they have a tsunomaki (collar) instead, which serves a different function. Read our knife collar guide for that detail.

Everything You Need to Know About the Knife Collar
Everything You Need to Know About the Knife Collar

What is the "shinogi" line on a Japanese knife?

The shinogi (鎬) is the visible ridge that runs along the side of a Japanese knife, separating the upper portion of the blade (the wide flat called the hira) from the lower bevel that leads to the cutting edge. On single-bevel knives like the yanagiba and deba, the shinogi is sharp and obvious — it's the geometry transition you're working with when you sharpen. On double-bevel knives, the shinogi is softer, sometimes barely visible. The shinogi is one of the visual cues that distinguishes a Japanese blade from a Western one, where the bevel typically runs all the way to the spine without a visible transition.

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About the author

Kei Nishida

Kei Nishida

Author, CEO Dream of Japan

info@japanesegreenteain.com

Certifications: PMP, BS in Computer Science

Education: Western Washington University

Kei Nishida is a passionate Japanese green tea connoisseur, writer, and the founder and CEO of Japanese Green Tea Co., a Dream of Japan Company.

Driven by a deep desire to share the rich flavors of his homeland, he established the only company that sources premium tea grown in nutrient-rich sugarcane soil—earning multiple Global Tea Champion awards.

Expanding his mission of introducing Japan’s finest to the world, Kei pioneered the launch of the first-ever Sumiyaki charcoal-roasted coffee through Japanese Coffee Co. He also brought the artistry of traditional Japanese craftsmanship to the global market by making katana-style handmade knives—crafted by a renowned katana maker—available outside Japan for the first time through Japanese Knife Co.

Kei’s journey continues as he uncovers and shares Japan’s hidden treasures with the world.

Learn more about Kei

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